Three figures appear in the "Regional Culture" section, representing the diversity of our environment; each is distinguished by color: Indigenous people in red, the *mestiza* figure in yellow, and cattle ranchers and Mennonites in blue. This reflects the intent to use a color palette that harmonizes and balances the interplay of forms created by these distinct cultures. Mining is represented by a stone veined with gold and silver, while a *guare* (woven basket) filled with regional produce alludes to the cornucopia, marking the beginnings of trade in the region.
The canyons, waterfall, rivers, valleys, and deserts showcase our state's natural wealth. The bull represents the livestock industry, while the tractor and the railway—which leads us toward the modern city—symbolize the driving forces behind technological and industrial development.
Water flows through the mural as a source of life—moving from the waterfall and the Paquimé vessel to the furrows leading into the river—all under the watchful gaze of the desert serpent.
"International Brotherhood" displays the flags of the group comprising the world's thirteen most influential nations: the United States, Canada, the United Kingdom, Germany, France, Italy, Russia, Japan, China, India, South Africa, Brazil, and Mexico.
The bird symbolizes globalization, the dynamism of modern life, and the closeness between nations; its feathers merge with the flags of the G-13.
The human figure represents the movement and energy of humanity, finding in our country a bond of trust that embraces its full development.
The five stones represent the continents, serving as a foundation for humanity.
